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Home Wallpaper Isis
Iolanthe $420.00
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Standard Rose Frieze $7.00

Isis

$420.00

21” wide with a 21.067” vertical straight match repeat

One double roll covers 60 square feet

There is an order minimum of one double roll.

All papers are bespoke, printed to order. Contact David to place an order inquiry.

Category: Wallpaper
  • Description
  • Intellectual Property Theft
Description

CFA Voysey c 1893

The Isis fill paper and coordinating frieze is an early exuberant example of Voysey’s mastery of pattern design. It is from his large-scale early 1890’s output and both the fill paper and the frieze may be used independently of each other. The frieze is more demonstrably graphic and makes a clear enough statement to be used above a painted or paneled wall. The fill paper is grand though subtle when used alone and the ideal complement to the frieze when somewhat more opulence is desired. The choice of the name for this fill and frieze set is unclear but it may be speculated that Voysey had the poem Prothalamion by Edward Spencer in mind for a description of that part of the Thames still traditionally called the Isis in Oxford. In the poem the river is idyllically described.

“Along the shoare of silver streaming Themmes;
Whose rutty banke, the which his river hemmes,
Was paynted all with variable flowers.
And all the meads adornd with daintie gemmes
Fit to deck maydens bowres”

The fill paper is 21” wide with a 21.067” vertical straight match repeat.

One double roll covers 60 square feet

There is an order minimum of one double roll.

Intellectual Property Theft

AUTHENTICITY AND INTELLECTUAL PROPERTY THEFT

It has been said that imitation is the greatest form of flattery. In truth it is more often than not theft of intellectual property.

All of the flat pattern design offered by Trustworth Studios comes from either my own original document archive (original period wallpaper samples) or from private collections from which I was given exclusive rights to reproduction. All of the designs are meticulously researched as to scale, color and original rendering intent.

Occasionally only fragmentary documents exist of a particular pattern. Using elements from the Voysey notebooks I was able to logically complete these designs by careful comparison of sketches and matching them to the fragmentary remains. When these designs are copied by other firms and are offered for sale they are intellectual property theft of an even more odious nature and demonstrate a low and mercenary disregard for morality.

Every pattern shown on the Trustworth Studios website predates any modern, post 21st century company’s offering.

The most copied but never equaled design is the pattern known as “Apothecary’s Garden”. That design came from a private commercial archival collection.  I was granted he exclusive reproduction rights to that design by the grandson of the man who contracted Voysey to supply their firm with pattern. That design was never given a name by CFA Voysey. Whilst visiting here at my studio Richard Pugh-Cook, that grandson and head of Tomkinson Carpets, liked the name I suggested and we mutually agreed to name the design.

Hey Diddle Diddle survives only as a fragment approximately 60% complete. I was able to consult the Voysey notebooks to complete the likely original full pattern intent. The spoon is drawn from my original Voysey silver spoons and the dish is from a Voysey repouseé serving piece design. The neck of the fiddle and the ribbon are completely Trustworth Studios.

It has always been my policy to respect and to never ever reproduce any work that is already in current production. To do so is immoral, shamelessly mercenary and venal. It is also devoid of any artistic integrity.

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